This article examines Fan Bo's artistic practice and theoretical writings,tracing his movement from figurative painting to cross-media experimentation and,later,to conceptual reflection in the age of artificial intelligence.Research indicates that Fan Bo reflects upon the logic of representation through the"correction of visual images",reconstructs perceptual structures by means of"multi-textual"strategies during his cross-media phase,and ultimately turns toward an inquiry into generative mechanisms and the question of subjectivity within the context of artificial intelligence.